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The star pit samuel r. delany
The star pit samuel r. delany






June 1968 ‘Cage of Brass‘ (in If 18, 71-80 driftglass, driftglass/starshards) May 1968 ‘Lines of Power’ (in Fantasy &Science Fiction 34, 4-46 also as ‘ We, in Some Strange Power’s Employ, Move on a Rigorous Line‘, driftglass, driftglass/starshards) Marilyn Hacker, William McNeill and Russell Fitzgerald). July 1967 ‘Deirdre of South Ward’ in A City Sampler ed. March 67 ‘English, American’ (in Riverside Quarterly 2, 267). March 1967 ‘Sketch for a Two-Part Intervention’ (in New Worlds 172, 2-5 and 76 revised in Algol 15, Spring 1969). October 1967 ‘A Fictional Architecture With 365 Supports that Manages Only With Great Effort Not To Once Mention Harlan Ellison’ June 1967 ‘Driftglass‘ (in If 17, 141-58 Driftglass Driftglass/starshards) Garden City: Doubleday driftglass driftglass/starshards) 1967 ‘Aye, and Gomorrah…’ (in Dangerous Visions ed. October 1967 ‘Corona‘ (in Fantasy & Science Fiction 33, 77-92 Driftglass Driftglass/starshards) revisions of The Fall of the Towers for British publication March 1967 The Einstein Intersection New York: Ace Books August 1967 ‘Gregory Corso in Athens’ (in Riverside Quarterly 3/1, 59). Delany and Marilyn Hacker, New York: Paperback Library 1971, 37-57 driftglass, driftglass/starshards) 1971 ‘Dog in a Fisherman’s Net‘ (in Quark #3, ed. Feb 1967 ‘The Star Pit‘ (in Worlds of Tomorrow 4, 7-57 driftglass, driftglass/starshards) May 1966 Babel-17 New York: Ace Books F-388 1965 The Ballad of Beta-2 New York: Ace Books M-121 December 1964 City of a Thousand SunsNew York: Ace Books F-322 Only ‘ The Unicorn Tapestry‘ survives (published April 1970, New American Review 9, 197-201). 1964 The Towers of Toron New York: Ace Books F-261 January 1965 ‘Two Dogs Near Death’ The Promethean January 1965 (City College of New York Literary Magazine) March 1963 Captives of the Flame New York: Ace Books F-199 two other unpublished short stories, these five making a tenuously-related set written after The Jewels of Aptor and rejected by Ace at the end of June 1962. revised as ‘Ruins’ in Distant Stars, Driftglass/Starshards, and They Fly At Ciron) 1962 The Jewels of Aptor New York: Ace Books F-173.ġ968 ‘In The Ruins’ ( Algol #13, 29-33, Jan ’68. 1977 ‘Prismatica’ (revised in The Magazine of Fantasy and Science Fiction 53, 6-33 (Oct 1977) “a novel about a dead horse, a little girl called Messalina Schmidlap, and a lady taxidermist named Octavia Declivity” an article about the 1961 Newport Jazz Festival January 1962 ‘The Compleat Folk-singer’ Seventeen “a number of short novels”, including The Flames of the Warthog, The Lovers, The Assassination translations of Brecht’s ‘Vom ertrunkenen Madchen’, Rimbaud’s ‘Le Bateau ivre’, Catullus’s ‘Vivamus, mea Lesbia’, ‘The Song of Songs Which is Solomon’s’, some of Chatterton’s ‘Middle English’ Rowley forgeries. an article in The Science Observer (The Bronx High School of Science newspaper)ġ960 ‘Portrait of the Artist As Six Characters In Search of Tea and Sympathy’.

the star pit samuel r. delany

May 1959 ‘The Grave Diggers’ Literary Cavalcade May 1959, 28-9. Reprinted in Good Times 13, 3-9 (September 1960) ‘Salt’ subsequently published in Dynamo (The Bronx High School of Science Literary Magazine). Dynamo, 29-33 (The Bronx High School of Science Literary Magazine). stories ‘Payday at Coal Creek Don’t Come No More’, ‘Passacaglia With Death in the Higher Voices’, ‘Animal in the City’, ‘The Pigeons’ The Rising Sun (Camp Rising Sun literary magazine). Delany: A Primary and Secondary Bibliography, 1962-1979). Words from Workers 1, 2-3 (Camp Woodland newsletter one paragraph in M.

the star pit samuel r. delany

Neighbours 5 (Camp Woodland literary magazine one paragraph in M. A play, excerpted in Prejudice and Your Child, Kenneth Clark. But at the center of the changeover there is a period-whether it be a moment’s vision or a year-long suspicion-where the maturing youth sees all adult behavior as merely formal and totally meaningless.1955 ‘Morlow, King of Blacks, of the NiggIlses’. Various cultures make the transition at various ages, which transition period lasts for varying lengths of time, one accomplishing it in a week with careful dances, ancient prayers, and isolate and specified rituals another, letting it take its own course, offering no help for it, and allowing it to run on frequently for years. Adulthood is that time in which we see that all human actions follow forms, whether well or badly, and it is the perseverance of the forms that is, whether for better or worse, their meaning. „Childhood is that time in which we never question the fact that every adult act is not only an autonomous occurrence in the universe, but that it is also filled, packed, overflowing with meaning, whether that meaning works for ill or good, whether the ill or good is or is not comprehended.








The star pit samuel r. delany